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◎标  题 荣耀六十年
◎片  名 Sixty Glorious Years
◎年  代 1938
◎产  地 英国
◎类  别 剧情
◎语  言 英语
◎上映日期 1938
◎IMDb评分 6.3/10 (137人评价)
◎IMDb链接 https://www.imdb.com/title/tt0206302/
◎豆瓣链接 https://movie.douban.com/subject/5088083/
◎导  演 Herbert Wilcox
◎编  剧 迈尔斯·马勒森
◎演  员 Anna Neagle
      Anton Walbrook
      C. Aubrey Smith
      Walter Rilla

◎简  介
    Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor

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  • E7E11B 2月前
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    《六十年辉煌岁月》是一部关于塑造偶像形象的创作实践,既是为了维多利亚女王,也是为了该片的主演安娜·尼格尔(她后来被称为“高贵的尼格尔”)。正如伊丽莎白一世曾委托艺术家创作供公众欣赏的奉承肖像画一样,这部电影也起到了类似的作用,因为片中的尼格尔比现实生活中的维多利亚女王更加美丽动人。影片删去了有争议的事件(如“爱尔兰问题”),并将维多利亚性格中令人不悦的方面(她的任性、傲慢、偏袒以及“特权意识”)粉饰成惹人喜爱的小“怪癖”。当她做得太过分时,阿尔伯特亲王会起到缓和的作用。这部电影在大获成功的《伟大的维多利亚》(赫伯特·威尔科克斯执导,1937年)上映一年后推出。剧本再次由迈尔斯·马莱森和罗伯特·范西塔特执笔,许多配角(当时顶尖的演技派演员)也再次出演,这一次是为彩色摄影机献艺。这是摄影师弗雷迪·扬的第一部全长彩色电影,他捕捉到了皇家婚礼、盛大舞会和奢华内景的壮观场面,部分场景甚至是在真正的王宫中拍摄的。影片中生动的战争场面发生在亚历山大·柯达的“帝国领地”(塞瓦斯托波尔和苏丹),其精彩程度可与《四根羽毛》(佐尔坦·柯达执导,1939年)相媲美。片名音乐奠定了基调:在王冠的特写镜头下,一支庄严的合唱团在歌唱。在钻石禧年庆典中,我们听到了埃尔加1901年的《威风凛凛进行曲》;当维多利亚的灵柩停放时,影片以安东尼·柯林斯庄严的音乐结束,背景文字是鲁德亚德·吉卜林的《勿忘》。结合维多利亚与“普通民众”互动场景所具有的情感吸引力,这一切都令人热血沸腾。这部电影与1938年的时事紧密相连。在爱德华八世退位之后,推出这两部歌颂王室的电影旨在增强公众对君主制的爱戴。英德关系是另一个敏感话题。随着另一场战争迫在眉睫,有影响力的声音主张绥靖政策,而这部电影似乎也符合这一议程。维多利亚本人主要是德国血统,被昵称为“欧洲祖母”,而阿尔伯特亲王则是一个“好德国人”,由安东·沃尔布鲁克饰演,他将这位有教养、正直的男子演绎得十分迷人。如今看来,《六十年辉煌岁月》显得过于正式和恭敬。如果电影在维多利亚在位期间就已出现(实际上电影是在她统治末期才出现的),这可能就是当时会拍摄的那种电影。与《女王与侍从》(约翰·麦登执导,1997年)不同,这部电影非常“维多利亚时代”。罗杰·菲利普·梅洛