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春光明媚 2026-03-04 23:35 22454


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◎标  题 伯娜
◎译  名 邦娜(港)
◎片  名 Bona
◎年  代 1980
◎产  地 菲律宾
◎类  别 剧情
◎语  言 菲律宾语 / 塔加路语
◎上映日期 1980
◎IMDb评分 7.3/10 (310人评价)
◎IMDb链接 https://www.imdb.com/title/tt0082093/
◎豆瓣链接 https://movie.douban.com/subject/3872721/
◎片  长 Sweden: 86 分钟 / USA: 85 分钟 / Philippines: 85 分钟
◎导  演 利诺·布洛卡
◎编  剧 Cenen Ramones
◎演  员 诺拉·阿诺尔
      Phillip Salvador
      Marissa Delgado
      Raquel Montesa
      Venchito Galvez
      Rustica Carpio
      Nanding Josef

◎简  介
    BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. ''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. Philippine Glimpses

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最新回复 (1)
  • E7E11B 3月前
    2
    博娜爱加多。加多爱加多。加多几乎对任何他能吸引的女人,都乐于与之共赴巫山。有一次——显然是因为没有更好的选择——他甚至把博娜带上了床,但到了第二天早上,这件事似乎就被他抛到了脑后。博娜是个神情严肃的女人,为了追求这位自恋的加多,她辍学搬去和他同住,与其说是伴侣,不如说更像是他的仆人。在博娜愤怒的父亲看来,加多不过是菲律宾动作片里二流或三流的演员。博娜(诺拉·奥诺饰)和加多(菲利普·萨尔瓦多饰)是菲律宾电影《博娜》中的核心人物,该片由林诺·布罗卡执导,宣传资料称他是一位多产的电影人,并将其比作赖纳·维尔纳·法斯宾德。他或许确实多产,但《博娜》在技术上虽无可挑剔,却未能充分揭示博娜对加多那份痴迷之爱的根源。年轻女子被一位长相英俊但作风轻浮的演员吸引并对其忠心耿耿,这不难理解,因此起初博娜愿意为加多打水让他洗热水澡,愿意在他们位于贫民区的合住屋里擦地板、缝补衣物、为他做饭,这些都不足为奇。但从一开始就很清楚,加多绝非完美无瑕的典范:他被其中一个女人的亲戚痛打一顿;他嗜酒如命;他带各种女人回家;他经常长时间消失不见;他让博娜去为他的一位情人安排堕胎;最后——在博娜实际上已被家人抛弃之后——加多告诉她,他要卖掉他们合住的房子,和另一个女人走了。和加多相处五分钟就足以让大多数人抓狂。但博娜却忍了大约90分钟。鉴于她似乎相当聪明、敏感,并且从一开始就察觉到加多的轻视,因此《博娜》的剧本和导演在未能为她的忍耐提供戏剧上合理的解释方面,难辞其咎。《博娜》主要的看点在于它作为菲律宾电影制作的一个范例,以及它对博娜和加多所居住社区生活的一瞥。菲律宾一瞥